Everglades Ossuary II
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Humanity’s all-consuming desire for more leads to absurdities like the exotic pet trade and its consequences in South Florida: the Burmese Python, an invasive species, became an apex predator in the Everglades, reproducing endlessly and consuming so much that mammals are eradicated from huge swaths of the wetlands. My Everglades Ossuary project, comprised of sculptural tapestries adorned with python bones, honors these wild, powerful beings who bear no blame for their instinctual behavior. The pieces confront us with the soul-starvation that afflicts modern humans, and our destructive attempts to fill the void within.
Amulet
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In the Glyph-State series, my invented language suggests a link between this moment in time, and others, in which one may have lived other lives, spoken different languages, and understood concepts that are currently obscured. Within this assemblage piece, the characters indicate loss of connection and fundamental inability to understand. Tightly bound together with wire and upcycled fabric, the pieces are suggestive of efforts made towards repair and reconciliation.
Garden of Essence
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This was a temporary public art installation in North Bay Village FL in September 2025, a participatory space for contemplation and meditation. Inspired by human migration pathways and the waterways of the Everglades, this experiential artwork was designed to open a space for people to process their lived experiences.
Quilt
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In the Glyph-State series, my invented language suggests a link between this moment in time, and others, in which one may have lived other lives, spoken different languages, and understood concepts that are currently obscured. Within this assemblage piece, the characters indicate loss of connection and fundamental inability to understand. Tightly bound together with wire and upcycled fabric, the pieces are suggestive of efforts made towards repair and reconciliation.
Oxide IV
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Part of the Glyph-State series, this piece visualizes the experience of being guided by subtle wisdom: messages received via intuition, the body, dreams, omens, and synchronicities. Murmurs from this inherent communications frequency are presented here as deconstructed, vaguely familiar symbols, reflecting the varying degrees to which such transmissions are obscured by the conditions of modern life.
Pythia
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Working with earth materials is teaching me that a closer connection to land can provide a vital healing process for our time. The piece references the ancient snake-spirit, Pythia, which rose up from deep in the earth at Delphi to become one with her priestess, giving voice to oracular messages for their devotees. Artists too may work as intermediaries, weaving potent messages into culture when they are needed most.
Cosmic Shallows I
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This piece, part of the Glyph-State series, explores abstracted symbols and letterforms that are at once familiar and unknown. These deconstructed glyphs might originate in the future or in the past, and their meaning is, as of yet, unclear. Except in the sense that they establish a link between this moment in time, and others, in which one may have lived other lives, spoken different languages, and understood concepts that are currently obscured.
The Star (In the Ravine)
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In the 17th card in the traditional Tarot deck, I found three primary elements: woman, water, and of course, celestial bodies. These symbols, abstracted, divulge a vision in which the energetic feminine contains the power of creation. There, within the void, dark waters move and tiny flickers point the way.
Temple Guardians
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Sculptures and site-specific installation completed during March / April 2024 artist residency on a cattle ranch in Salta, Argentina. Cattle rib bones were found in the mountains, cleaned and processed, and woven into tapestries. The works will be installed at the entrance to a planned temple / healing center on site.
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Rebecca White is an artist based in Miami, Florida.

She works in diverse media, including painting, sculpture, and participatory / interactive works; the conceptual underpinnings of her practice frequently connect to mythology, energy work, and esoteric notions such as alchemy and imagined languages.

In September 2025 she debuted a public artwork, Garden of Essence, in North Bay Village, FL. In March 2024 she was a resident artist at Finca San Jose de la Viña in Salta, Argentina; and she is a 2025—2026 recipient of the Miami Individual Artist Award (Miami-Dade County Department of Cultural Affairs).

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Photograph of Rebecca White
ART events

The D-Tour: Art Basel Pop-Up

Dec 5-7, 2025 | North Bay Village

Artist Panel Discussion

Nov 15, 2025 | Coral Springs Museum of Art

Artist Talk and Workshop

Nov 8, 2025 | CAMP Gallery

Transitions

Oct 17 2025 - Jan 3 2026 | Coral Springs Museum of Art

Don’t Be Absurd

Oct 17 - Dec 20, 2026 | CAMP Gallery, N Miami

Garden of Essence

Sep 9-30, 2025 | North Bay Village

Ancestral Lines

April 4, 2025 | Coral Springs Museum of Art

The Driven Woman

March 2025 | Miramar, FL

Artist in Residence at InterContinental Miami

March 2025 | Miami, FL

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COPYRIGHT REBECCA WHITE 2025 · ALL RIGHTS RESERVED

Cuando quieres algo, todo el Universo conspira para que realices tu deseo.

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